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Memory and Narrative Ethics: Holocaust Testimony, Fiction, and Film

AUTHOR Lothe, Jakob; Lothe, Jacob
PUBLISHER Oxford University Press (03/26/2025)
PRODUCT TYPE Hardcover (Hardcover)

Description
This book explores how different forms of narrative maintain and extend our knowledge of the Holocaust at this critical moment in history, when the last survivors are passing away. It develops and uses an original approach that combines key aspects of narrative studies, memory studies, narrative ethics, narrative hermeneutics, and narrative psychology. The book shows that testimony, narrative fiction, and film play a key role in forming our individual and collective memory of Nazi Germany's mass murder of six million Jews. Inspired by narrative hermeneutics, these narrative analyses are linked to and supplement one another in a historicizing movement.

After having discussed testimonies given by four Jewish women in Chapter 1, Chapters 2 and 3 analyze three nonfiction films, Leni Riefenstahl's Triumph of the Will (1935), Alain Resnais's Night and Fog (1956), and Claude Lanzmann's Shoah (1985). Chapters 4-7 discuss four novels and one film that, albeit in different ways and more or less directly, are framed and characterized by the historical event of the Holocaust: Jonathan Littell's The Kindly Ones (2006), Kazuo Ishiguro's The Remains of the Day (1989), James Ivory's film adaptation The Remains of the Day (1993), W. G. Sebald's Austerlitz (2001), and Jenny Erpenbeck's The End of Days (2012). The interpretations demonstrate that written narratives and film narratives can be constructive responses to the ethical challenge of remembering the Holocaust.

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Product Format
Product Details
ISBN-13: 9780197579503
ISBN-10: 0197579507
Binding: Hardback or Cased Book (Sewn)
Content Language: English
More Product Details
Page Count: 440
Carton Quantity: 16
Product Dimensions: 6.20 x 1.50 x 8.90 inches
Weight: 1.50 pound(s)
Feature Codes: Bibliography, Index
Country of Origin: US
Subject Information
BISAC Categories
Psychology | General
Psychology | Judaism - History
Dewey Decimal: 809.933
Library of Congress Control Number: 2025016074
Descriptions, Reviews, Etc.
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This book explores how different forms of narrative maintain and extend our knowledge of the Holocaust at this critical moment in history, when the last survivors are passing away. It develops and uses an original approach that combines key aspects of narrative studies, memory studies, narrative ethics, narrative hermeneutics, and narrative psychology. The book shows that testimony, narrative fiction, and film play a key role in forming our individual and collective memory of Nazi Germany's mass murder of six million Jews. Inspired by narrative hermeneutics, these narrative analyses are linked to and supplement one another in a historicizing movement.

After having discussed testimonies given by four Jewish women in Chapter 1, Chapters 2 and 3 analyze three nonfiction films, Leni Riefenstahl's Triumph of the Will (1935), Alain Resnais's Night and Fog (1956), and Claude Lanzmann's Shoah (1985). Chapters 4-7 discuss four novels and one film that, albeit in different ways and more or less directly, are framed and characterized by the historical event of the Holocaust: Jonathan Littell's The Kindly Ones (2006), Kazuo Ishiguro's The Remains of the Day (1989), James Ivory's film adaptation The Remains of the Day (1993), W. G. Sebald's Austerlitz (2001), and Jenny Erpenbeck's The End of Days (2012). The interpretations demonstrate that written narratives and film narratives can be constructive responses to the ethical challenge of remembering the Holocaust.

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Hardcover