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When I Was a Photographer

AUTHOR Theodoratou, Liana; Nadar, Felix; Cadava, Eduardo et al.
PUBLISHER MIT Press (11/06/2015)
PRODUCT TYPE Hardcover (Hardcover)

Description
The first complete English translation of Nadar's intelligent and witty memoir, a series of vignettes that capture his experiences in the early days of photography.

Celebrated nineteenth-century photographer--and writer, actor, caricaturist, inventor, and balloonist--F lix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of "written photographs"), this intelligent and witty book offers stories of Nadar's experiences in the early years of photography, memorable character sketches, and meditations on history. It is a classic work, cited by writers from Walter Benjamin to Rosalind Krauss. This is its first and only complete English translation.

In When I Was a Photographer (Quand j' tais photographe), Nadar tells us about his descent into the sewers and catacombs of Paris, where he experimented with the use of artificial lighting, and his ascent into the skies over Paris in a hot air balloon, from which he took the first aerial photographs. He recounts his "postal photography" during the 1870-1871 Siege of Paris--an amazing scheme involving micrographic images and carrier pigeons. He describes technical innovations and important figures in photography, and offers a thoughtful consideration of society and culture; but he also writes entertainingly about such matters as Balzac's terror of being photographed, the impact of a photograph on a celebrated murder case, and the difference between male and female clients. Nadar's memoir captures, as surely as his photographs, traces of a vanished era.

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Product Format
Product Details
ISBN-13: 9780262029452
ISBN-10: 0262029456
Binding: Hardback or Cased Book (Sewn)
Content Language: English
More Product Details
Page Count: 336
Carton Quantity: 18
Product Dimensions: 5.60 x 1.00 x 8.10 inches
Weight: 1.10 pound(s)
Feature Codes: Bibliography, Index, Price on Product
Country of Origin: US
Subject Information
BISAC Categories
Photography | History
Photography | Memoirs
Grade Level: College Freshman and up
Dewey Decimal: B
Library of Congress Control Number: 2015001894
Descriptions, Reviews, Etc.
publisher marketing
The first complete English translation of Nadar's intelligent and witty memoir, a series of vignettes that capture his experiences in the early days of photography.

Celebrated nineteenth-century photographer--and writer, actor, caricaturist, inventor, and balloonist--F lix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of "written photographs"), this intelligent and witty book offers stories of Nadar's experiences in the early years of photography, memorable character sketches, and meditations on history. It is a classic work, cited by writers from Walter Benjamin to Rosalind Krauss. This is its first and only complete English translation.

In When I Was a Photographer (Quand j' tais photographe), Nadar tells us about his descent into the sewers and catacombs of Paris, where he experimented with the use of artificial lighting, and his ascent into the skies over Paris in a hot air balloon, from which he took the first aerial photographs. He recounts his "postal photography" during the 1870-1871 Siege of Paris--an amazing scheme involving micrographic images and carrier pigeons. He describes technical innovations and important figures in photography, and offers a thoughtful consideration of society and culture; but he also writes entertainingly about such matters as Balzac's terror of being photographed, the impact of a photograph on a celebrated murder case, and the difference between male and female clients. Nadar's memoir captures, as surely as his photographs, traces of a vanished era.

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Translator: Cadava, Eduardo
Eduardo Cadava, a writer, translator, and scholar, is the author of "Words of Light: Theses on the Photography of History", coeditor of "The Itinerant Languages of Photography", and Professor of English at Princeton University.
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Hardcover