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First I Find the Center Point: Reading the Text of Hugh of Saint Victor's "The Mystic Ark" Transactions, American Philosophical Society (Vol. 94, Part

AUTHOR Rudolph, Conrad
PUBLISHER American Philosophical Society Press (01/01/2004)
PRODUCT TYPE Hardcover (Hardcover)

Description
During his explanation of both the painting made by Hugh for the school of Saint Victor & the text that describes it, Conrad Rudolph addresses "The Mystic Ark" in the two senses of the word "Ark." First, he speaks of the iconographical component of the Ark proper in the image of "The Mystic Ark," & "The Ark," a shortened title he sometimes uses when referring to either the image or the text of "The Mystic Ark." Created between 1125 & 1130, "The Mystic Ark" is a work that was conceived at a moment of previously unrivaled controversy over art & of perceived threat by science to theology. Rudolph recognizes, in his own text, the significance of the painting & text in understanding medieval visual culture & its polemical context. Color & black & white illus.
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Product Format
Product Details
ISBN-13: 9780871699442
ISBN-10: 0871699443
Binding: Hardback or Cased Book (Sewn)
Content Language: English
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Page Count: 110
Carton Quantity: 22
Product Dimensions: 7.00 x 0.38 x 10.00 inches
Weight: 0.99 pound(s)
Feature Codes: Bibliography, Index, Illustrated
Country of Origin: US
Subject Information
BISAC Categories
Art | Subjects & Themes - General
Art | Mysticism
Dewey Decimal: 704.948
Library of Congress Control Number: 2004054542
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During his explanation of both the painting made by Hugh for the school of Saint Victor & the text that describes it, Conrad Rudolph addresses "The Mystic Ark" in the two senses of the word "Ark." First, he speaks of the iconographical component of the Ark proper in the image of "The Mystic Ark," & "The Ark," a shortened title he sometimes uses when referring to either the image or the text of "The Mystic Ark." Created between 1125 & 1130, "The Mystic Ark" is a work that was conceived at a moment of previously unrivaled controversy over art & of perceived threat by science to theology. Rudolph recognizes, in his own text, the significance of the painting & text in understanding medieval visual culture & its polemical context. Color & black & white illus.
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Author: Rudolph, Conrad
Conrad Rudolph is Professor of Medieval Art History at the University of California, Riverside. He has received fellowships and grants from the Guggenheim, J. Paul Getty, Mellon and Kress foundations, as well as from the National Endowment for the Humanities and the College Art Association. At the University of California, Riverside he has received both the University Distinguished Teaching award and the University Honors Faculty Mentor of the Year award. He is a member of the board of editors of Speculum and of caa.reviews, the online journal of reviews of the College Art Association. He is author of The Things of Greater Importance: Bernard of Clairvaux's Apologia and the Medieval Attitude Toward Art (1990), Artistic Change at St-Denis: Abbot Suger's Program and the Early Twelfth-Century Controversy over Art (1990), Violence and Daily Life: Reading, Art, and Polemics in the Citeaux Moralia in Job (1997), Pilgrimage to the End of the World: The Road to Santiago de Compostela (2004) and First, I Find the Center Point: Reading the Text of Hugh of Saint Victor's The Mystic Ark (2005).
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Hardcover