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Arts & Crafts Design

AUTHOR Hansen, Timothy L.; Hansen, Timothy L.; Varnum, William Harrison et al.
PUBLISHER Gibbs Smith (08/01/1995)
PRODUCT TYPE Paperback (Paperback)

Description

Originally published in 1916 when the Arts & Crafts movement was in its heyday, this is a virtual textbook of materials, color, techniques, and designs. Arts & Crafts Design is a practical guide to the creation of high-quality, high-style furnishings through the industrial arts.

"In this relativistic age in which de gustilrie non disputandum est (it is undisputed that each person has their own sense of taste), it is refreshing to look back to the early twentieth century when at least a few people were certain that there are universal rules for good art and also that they had themselves mastered these precepts and could pass them on to a society that loved commonly held values. William H. Varnum was one of those people. He offers here a textbook that will, if followed, allow students to 'directly apply well-recognized principles of design to specific materials and problems.' No situation esthetics here. In fact, he followed these principles in designing the logos representing his tools and ratio system on the cover of his book.

"The publisher of this new edition has added a useful foreword and substitued the title Arts and Crafts Design for the original (1916) Industrial Arts Design, an appropriate modification since the term "industrial" suggests factory production whereas Varnum referred to objects that today we call "Craftsman"--Rookwood pottery, Stickley furniture, Jarvie candlesticks, etc. A delightful touch is that Varnum included pictures of these objects alongside the principles by which he believed they were designed. Varnum's book offers an enlightening, if somewhat technical, insight into thinking about design before World War I. There is no doubt that the Arts and Crafts period during which the principles of simple beauty married so neatly with function can be better understood and appreciated today through Varnum's perceptions."

Robert Winter

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Product Format
Product Details
ISBN-13: 9780879056995
ISBN-10: 0879056991
Binding: Paperback or Softback (Trade Paperback (Us))
Content Language: English
More Product Details
Page Count: 256
Carton Quantity: 17
Product Dimensions: 7.50 x 0.60 x 9.20 inches
Weight: 1.00 pound(s)
Feature Codes: Index, Price on Product, Table of Contents, Illustrated
Country of Origin: US
Subject Information
BISAC Categories
Architecture | Decoration & Ornament
Architecture | Movements - Modernism
Dewey Decimal: 747.9
Library of Congress Control Number: 95030197
Descriptions, Reviews, Etc.
jacket back

"In this relativistic age in which de gustilrie non disputandum est (it is undisputed that each person has their own sense of taste), it is refreshing to look back to the early twentieth century when at least a few people were certains that there are universal rules for good art and also that they had themselves mastered these precepts and could pass them on to a society that loved commonly held values. William H. Varnum was one of those people. He offers here a textbook that will, if followed, allow students to 'directly apply well-recognized principles of design to specific materials and problems.' No situation esthetics here. In fact, he followed these principles in designing the logos representing his tools and ratio system on the cover of his book.

"The publisher of this new edition has added a useful foreword and substitued the title Arts and Crafts Design for the original (1916) Industrial Arts Design, an appropriate modification since the term "industrial" suggests factory production whereas Varnum referred to objects that today we call "Craftsman"--Rookwood pottery, Stickley furniture, Jarvie candlesticks, etc. A delightful touch is that Varnum included pictures of these objects alongside the principles by which he believed they were designed. Varnum's book offers an enlightening, if somewhat technical, insight into thinking about design before World War I. There is no doubt that the Arts and Crafts period during which the principles of simple beauty married so neatly with function can be better understood and appreciated today through Varnum's perceptions."

Robert Winter

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jacket front
Contents Divisions of Industrial Arts Design The Primary Mass and Its Proportions Horizontal Major Divisions of the Primary Mass Vertical Major Divisions of the Primay Mass Appendages and the Rules Governing Them Enrichment of the Contours or Outlines of Designs in Wood Enrichment of the Contours or Outlines of Designs in Clay Enrichment of the Contours or Outlines of Designs in Base and Precious Metals Surface Enrichment of Small Primary Masses in Wood Surface Enrichment of Small Primary Masses in Wood (continued) Surface Enrichment with Minor Subdivisions of Large Primary Masses in Wood Surface Enrichment of Clay Surface Enrichment of Precious Metals. Small Flat Planes Surface Enrichment of Large Primary Masses in Base and Precious Metals Color: Hue, Value, and Chroma; Stains Color and Its Relation to Industrial Arts Design. Large Surfaces of Wood; Wall and Ceiling Areas Color and Its Relation to Industrial Arts Design. Small Surfaces in Clay and Metal Complete Summary of Rules Appendix Index
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publisher marketing

Originally published in 1916 when the Arts & Crafts movement was in its heyday, this is a virtual textbook of materials, color, techniques, and designs. Arts & Crafts Design is a practical guide to the creation of high-quality, high-style furnishings through the industrial arts.

"In this relativistic age in which de gustilrie non disputandum est (it is undisputed that each person has their own sense of taste), it is refreshing to look back to the early twentieth century when at least a few people were certain that there are universal rules for good art and also that they had themselves mastered these precepts and could pass them on to a society that loved commonly held values. William H. Varnum was one of those people. He offers here a textbook that will, if followed, allow students to 'directly apply well-recognized principles of design to specific materials and problems.' No situation esthetics here. In fact, he followed these principles in designing the logos representing his tools and ratio system on the cover of his book.

"The publisher of this new edition has added a useful foreword and substitued the title Arts and Crafts Design for the original (1916) Industrial Arts Design, an appropriate modification since the term "industrial" suggests factory production whereas Varnum referred to objects that today we call "Craftsman"--Rookwood pottery, Stickley furniture, Jarvie candlesticks, etc. A delightful touch is that Varnum included pictures of these objects alongside the principles by which he believed they were designed. Varnum's book offers an enlightening, if somewhat technical, insight into thinking about design before World War I. There is no doubt that the Arts and Crafts period during which the principles of simple beauty married so neatly with function can be better understood and appreciated today through Varnum's perceptions."

Robert Winter

Show More
List Price $19.95
Your Price  $19.75
Paperback