Lords of Chaos: The Bloody Rise of the Satanic Metal Underground New Edition
| AUTHOR | Soderlind, Didrik; Moynihan, Michael |
| PUBLISHER | Feral House (11/01/2003) |
| PRODUCT TYPE | Paperback (Paperback) |
The 2003 edition of LORDS OF CHAOS is revised and expanded, adding fifty new pages, detailing outbreaks of Black Metal crime in Finland, Germany and the United States; and includes the secret history of occult Rock, a new section on Varg Vikernes' promulgation of bizarre Aryan UFO theories, and material on the career of Hendrik Mobus, an international neo-Nazi fugitive.
This award-winning exposé features hundreds of rare photos and exclusive interrogations with priests, police officers, Satanists, and leaders of demonic bands who believe the greater evil spawns the greatest glory.
"An intense, scary book about an intense, scary scene: black metal, which in the 1990s took heavy metal's obsession with darkness and evil to its logical conclusion. Moynihan and Soderlind chronicle a world of murder, hatred and madness; even if you don't have any interest in the bands (or in the 2018 Jonas Åkerlund film based on this book), you may come away with a new appreciation for what it means for music to be truly extreme." Kelefa Sannah, The New Yorker
The 2003 edition of LORDS OF CHAOS is revised and expanded, adding fifty new pages, detailing outbreaks of Black Metal crime in Finland, Germany and the United States; and includes the secret history of occult Rock, a new section on Varg Vikernes' promulgation of bizarre Aryan UFO theories, and material on the career of Hendrik Mobus, an international neo-Nazi fugitive.
This award-winning exposé features hundreds of rare photos and exclusive interrogations with priests, police officers, Satanists, and leaders of demonic bands who believe the greater evil spawns the greatest glory.
"An intense, scary book about an intense, scary scene: black metal, which in the 1990s took heavy metal's obsession with darkness and evil to its logical conclusion. Moynihan and Soderlind chronicle a world of murder, hatred and madness; even if you don't have any interest in the bands (or in the 2018 Jonas Åkerlund film based on this book), you may come away with a new appreciation for what it means for music to be truly extreme." Kelefa Sannah, The New Yorker