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On Photography

AUTHOR Sontag, Susan
PUBLISHER Picador USA (04/15/2025)
PRODUCT TYPE Paperback (Paperback)

Description

Winner of the National Book Critics Circle Award for Criticism

A new edition of Susan Sontag's groundbreaking critique of photography--its problems, politics, and possibilities.

"To photograph is to appropriate the thing photographed," Sontag writes in the opening pages of On Photography, which went on to influence generations of theorists, film critics, and readers everywhere. Originally published in the 1970s, her groundbreaking collection remains uncannily prescient and profoundly precise.

With her singular searching eye, and her refusal to buckle under received wisdom, she presents a rousing critique of the functions of imagery--to seduce, to advertise, to evoke, to commemorate, to conspire, to conceal--across six essays. The result is a damning portrait of the ways we use imagery to manufacture reality and authority that feels as if it were written today.

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Product Details
ISBN-13: 9781250374745
ISBN-10: 125037474X
Binding: Paperback or Softback (Trade Paperback (Us))
Content Language: English
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Page Count: 224
Carton Quantity: 36
Product Dimensions: 5.30 x 0.70 x 8.20 inches
Weight: 0.40 pound(s)
Feature Codes: Price on Product
Country of Origin: US
Subject Information
BISAC Categories
Photography | Criticism
Photography | Criticism & Theory
Dewey Decimal: 770
Library of Congress Control Number: 2024047910
Descriptions, Reviews, Etc.
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Winner of the National Book Critics Circle Award for Criticism

A new edition of Susan Sontag's groundbreaking critique of photography--its problems, politics, and possibilities.

"To photograph is to appropriate the thing photographed," Sontag writes in the opening pages of On Photography, which went on to influence generations of theorists, film critics, and readers everywhere. Originally published in the 1970s, her groundbreaking collection remains uncannily prescient and profoundly precise.

With her singular searching eye, and her refusal to buckle under received wisdom, she presents a rousing critique of the functions of imagery--to seduce, to advertise, to evoke, to commemorate, to conspire, to conceal--across six essays. The result is a damning portrait of the ways we use imagery to manufacture reality and authority that feels as if it were written today.

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Paperback