Colas Breugnon (A Burgundian Story)
| AUTHOR | Moore, Andrew; Rolland, Romain; Miller, Katherine |
| PUBLISHER | MONDIAL (04/15/2009) |
| PRODUCT TYPE | Paperback (Paperback) |
Description
"Colas Breugnon" is a charming romance of life in Burgundy three hundred years ago. It is an "autobiographical" novel, the story being told in the first person by Colas, who reviews his fifty years of life, and describes all its joys and sorrows. The story is gay and humorous, and full of wise observations about life. --- "Colas Breugnon is the jovial Burgundian, the lusty wood-carver, the practical joker always fond of his glass, the droll fellow. Before everything, Colas Breugnon is a free man. He loves his king, but only so long as the king leaves him his liberty; he loves his wife, but follows his own bent; he is on excellent terms with the priest of a neighboring parish, but never goes to church; he idolizes his children, but his vigorous individuality makes him unwilling to live with them. He is friendly with all, but subject to none; he is freer than the king; he has that sense of humor characteristic of the free spirit to whom the whole world belongs. From the artistic point of view, 'Colas Breugnon' may perhaps be regarded as Rolland's most successful work. This is because it is woven in one piece, because it flows with a continuous rhythm, because its progress is never arrested by the discussion of thorny problems. It is written throughout in the same key. The first sentence gives the note like a tuning fork, and thence the entire book takes its pitch. Throughout, the same lively melody is sustained. The writer employs a peculiarly happy form. His style is poetic without being actually versified; it has a melodious measure without being strictly metrical. This work is unlike any of Rolland's other writings. It is not an historic study, a critical appreciation, a philosophic essay, nor yet even, in the strictest sense of the word, a novel. It is rather a volume of reminiscences as told by a man of fifty; and the very aimlessness with which this man talks is in itself a pleasure; for Breugnon is himself the one subject of the book, holding our attention by the display of a wayward, sympathetic, and aggressive personality." (Stefan Zweig)
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Product Format
Product Details
ISBN-13:
9781595691330
ISBN-10:
1595691332
Binding:
Paperback or Softback (Trade Paperback (Us))
Content Language:
English
More Product Details
Page Count:
152
Carton Quantity:
52
Product Dimensions:
5.50 x 0.35 x 8.50 inches
Weight:
0.44 pound(s)
Country of Origin:
US
Subject Information
BISAC Categories
Fiction | Classics
Fiction | Historical - General
Fiction | Literary
Dewey Decimal:
843.912
Library of Congress Control Number:
2009924956
Descriptions, Reviews, Etc.
publisher marketing
"Colas Breugnon" is a charming romance of life in Burgundy three hundred years ago. It is an "autobiographical" novel, the story being told in the first person by Colas, who reviews his fifty years of life, and describes all its joys and sorrows. The story is gay and humorous, and full of wise observations about life. --- "Colas Breugnon is the jovial Burgundian, the lusty wood-carver, the practical joker always fond of his glass, the droll fellow. Before everything, Colas Breugnon is a free man. He loves his king, but only so long as the king leaves him his liberty; he loves his wife, but follows his own bent; he is on excellent terms with the priest of a neighboring parish, but never goes to church; he idolizes his children, but his vigorous individuality makes him unwilling to live with them. He is friendly with all, but subject to none; he is freer than the king; he has that sense of humor characteristic of the free spirit to whom the whole world belongs. From the artistic point of view, 'Colas Breugnon' may perhaps be regarded as Rolland's most successful work. This is because it is woven in one piece, because it flows with a continuous rhythm, because its progress is never arrested by the discussion of thorny problems. It is written throughout in the same key. The first sentence gives the note like a tuning fork, and thence the entire book takes its pitch. Throughout, the same lively melody is sustained. The writer employs a peculiarly happy form. His style is poetic without being actually versified; it has a melodious measure without being strictly metrical. This work is unlike any of Rolland's other writings. It is not an historic study, a critical appreciation, a philosophic essay, nor yet even, in the strictest sense of the word, a novel. It is rather a volume of reminiscences as told by a man of fifty; and the very aimlessness with which this man talks is in itself a pleasure; for Breugnon is himself the one subject of the book, holding our attention by the display of a wayward, sympathetic, and aggressive personality." (Stefan Zweig)
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Editor:
Moore, Andrew
ANDREW MOORE is a Fellow of the Centre for the Study of Christianity and Culture, Regent's Park College, University of Oxford. He was formerly Chaplain of Jesus College, Oxford. He is on the Editorial Board of the E-journal Ars Disputandi, and has published articles in a variety of church and academic journals, including Religious Studies and the International Journal of Systematic Theology.
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Translator:
Miller, Katherine
Dr. Katherine Miller is a leading scholar on communication in healthcare organizations. She holds bachelors and masters degrees in communication from Michigan State University, and a doctorate from the Annenberg School of Communication at the University of Southern California. She served on the faculties of the University of Kansas, Arizona State University, and Michigan State University, and has been a professor in Texas A&M University's Department of Communication since 1998. Dr. Miller is the author of three books and more than 50 journal articles and book chapters.
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