Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2,0, University of Nottingham (School of English Studies), course: Cognitive Poetics, language: English, abstract: And indeed, what is better than to sit by one's fireside in the evening with a book, while the wind beats against the window and the lamp is burning? ... One thinks of nothing ... the hours slip by. Motionless we traverse countries we fancy we see, and your thought, blending with the fiction, playing with the details, follows the outline of the adventures. It mingles with the characters, and it seems as if it were yourself palpitating beneath their costumes. (Madame Bovary, part II, chapter 2) This quotation elegantly sums up what reading literature should be like: most enjoyable. We find people reading on the train, at the bus stop, in bed, in the waiting room. And every reading is unique. That is why we usually can remember the circumstances under which we have read a book. And the mere fact that people can be carried away by the written word is fascinating - and worth further investigation. This essay is about reading, to be more precise about reading fiction. It is an attempt to explore how we read, or process, literature. We want to investigate how we comprehend fiction and how we monitor the tracking of characters and events in a story. Doing this, we will have to lay much emphasis on the reader as an individual being fully conscious of what and how he is reading. For this exploration, cognitive poetics with its relatively new way of thinking about literature will provide the necessary frameworks, one of which I will apply and discuss in more detail: Emmott's contextual frame theory. One question that I hope I will be able to answer in this paper is: How does fiction transport the reader into an imaginary universe? The approach to this question is not easy as I will have to draw on a number of interrelated disciplines such as linguistics, psychology and philosophy