The Demonic Femme Fatale. Demonized Women in Mythology and Film Noir
| AUTHOR | Anonymous |
| PUBLISHER | Grin Verlag (02/13/2024) |
| PRODUCT TYPE | Paperback (Paperback) |
Description
Bachelor Thesis from the year 2023 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Frankfurt (Main) (IEAS), language: English, abstract: This analysis argues that femmes fatales, just like many mythological women, are crucially misunderstood. Although these characters are often demonized in popular narratives, many of them represent victimized women who are demonized for challenging the oppressive environments that they suffer from. Their instrumentalized assets of gender and sexuality are their societal capital which either determines their worth in a man's world or is the characteristic which they are demonized for. With the aforementioned examination of the undefinable femme fatale in mind, it will be argued that established cultural conceptions of Eve, Delilah, Salomé, Medusa, and the Sirens produce a demonized image of women which consolidates Film Noir's trope of the femme fatale. For this analysis, it will be assessed how preconceived convictions that manifest themselves in established interpretations of mythology manipulate the perceptions of the female protagonists in Charles Vidor's Gilda (1946) and Billy Wilder's Sunset Boulevard (1950).
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Product Details
ISBN-13:
9783963557514
ISBN-10:
3963557516
Binding:
Paperback or Softback (Trade Paperback (Us))
Content Language:
English
More Product Details
Page Count:
58
Carton Quantity:
122
Product Dimensions:
5.83 x 0.14 x 8.27 inches
Weight:
0.19 pound(s)
Country of Origin:
US
Subject Information
BISAC Categories
Language Arts & Disciplines | General
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publisher marketing
Bachelor Thesis from the year 2023 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Frankfurt (Main) (IEAS), language: English, abstract: This analysis argues that femmes fatales, just like many mythological women, are crucially misunderstood. Although these characters are often demonized in popular narratives, many of them represent victimized women who are demonized for challenging the oppressive environments that they suffer from. Their instrumentalized assets of gender and sexuality are their societal capital which either determines their worth in a man's world or is the characteristic which they are demonized for. With the aforementioned examination of the undefinable femme fatale in mind, it will be argued that established cultural conceptions of Eve, Delilah, Salomé, Medusa, and the Sirens produce a demonized image of women which consolidates Film Noir's trope of the femme fatale. For this analysis, it will be assessed how preconceived convictions that manifest themselves in established interpretations of mythology manipulate the perceptions of the female protagonists in Charles Vidor's Gilda (1946) and Billy Wilder's Sunset Boulevard (1950).
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