Felix Schramm: Things to Come
| AUTHOR | Hammerschmidt, Sebastian; Hafner, Hans-Jrgen; Vieth, Anne |
| PUBLISHER | DCV (06/27/2024) |
| PRODUCT TYPE | Hardcover (Hardcover) |
Description
Felix Schramm's (b. Hamburg, 1970; lives and works in Dü sseldorf) sculptural oeuvre reflects a probing engagement with space and the body. In works in a variety of media, including installations that intervene into a given setting, sculptures, and collages, the artist creates three-dimensional forms out of classical materials and industrial staples as well as detritus and dust. Deformations, rifts, cracks, or impurities undermine the existing order in his constructed formal ensembles, allowing novel correspondences in space and interconnections across time to emerge. The material and its subjection to form are held in a precarious balance; disintegration, which is an integral element of Schramm's art, paves the way for artistic assertion and reformulation. The extensive publication gathers works and exhibitions of the past five years. It is Schramm's first monograph, presenting a cross-section of his entire oeuvre with all bodies of work.
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Product Format
Product Details
ISBN-13:
9783969121771
ISBN-10:
3969121779
Binding:
Hardback or Cased Book (Sewn)
Content Language:
German
More Product Details
Page Count:
168
Carton Quantity:
0
Product Dimensions:
9.40 x 0.60 x 12.70 inches
Weight:
1.98 pound(s)
Country of Origin:
US
Subject Information
BISAC Categories
Art | Sculpture & Installation
Art | Individual Artists - Monographs
Descriptions, Reviews, Etc.
publisher marketing
Felix Schramm's (b. Hamburg, 1970; lives and works in Dü sseldorf) sculptural oeuvre reflects a probing engagement with space and the body. In works in a variety of media, including installations that intervene into a given setting, sculptures, and collages, the artist creates three-dimensional forms out of classical materials and industrial staples as well as detritus and dust. Deformations, rifts, cracks, or impurities undermine the existing order in his constructed formal ensembles, allowing novel correspondences in space and interconnections across time to emerge. The material and its subjection to form are held in a precarious balance; disintegration, which is an integral element of Schramm's art, paves the way for artistic assertion and reformulation. The extensive publication gathers works and exhibitions of the past five years. It is Schramm's first monograph, presenting a cross-section of his entire oeuvre with all bodies of work.
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