"Singing the Middle Ages" delves into the historical and cultural significance of laude, spiritual songs in vernacular that were popular in medieval Italy. The book examines the origins and evolution of the lauda through various manuscripts, most notably the Laudario of Cortona. This collection is one of the earliest known examples of Italian poetry set to music, dating back to the late 13th century, and is revered for its profound cultural and religious impact. The essays within the book focus on how the laude were integral to both religious and communal life, expressing the vernacular spirituality that bridged the gap between daily existence and divine worship. The laude played a critical role in the para-liturgical activities of confraternities, engaging laypeople in devotional practices outside the official liturgy. Additionally, the book highlights the artistic and ritual aspects of these compositions, revealing their lasting influence on Italian cultural heritage. This scholarly work not only enriches understanding of medieval musical traditions but also underscores the sociocultural fabric of medieval Italy through the lens of these sacred songs.