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The Voltaire Collection: Vol. 2: New Translation
| AUTHOR | Dufis, Aurland; Voltaire |
| PUBLISHER | Independently Published (07/30/2025) |
| PRODUCT TYPE | Paperback (Paperback) |
This second volume of Voltaire's collected works presents four masterful tales from the mature phase of his literary career, written during the 1760s and 1770s when the philosopher had achieved both international fame and the hard-won wisdom of age. These works-"The Naive One," "The Man with Forty Crowns," "The Princess of Babylon," and "The Story of Jenni"-showcase Voltaire at his most sophisticated, wielding his considerable narrative powers to address the pressing social, economic, and religious questions of his time with renewed urgency and refined artistry.
"The Naive One" stands as perhaps Voltaire's most penetrating examination of the collision between natural virtue and civilized corruption. Through the eyes of a young Huron Indian encountering French society for the first time, Voltaire constructs a devastating critique of European institutions, religious practices, and social conventions. The protagonist's literal-minded approach to Christianity and French customs reveals the arbitrary nature of many cherished beliefs and the gap between professed ideals and actual practice. This work represents Voltaire's most sustained engagement with the concept of the "noble savage" and the Enlightenment debate over whether civilization represents progress or decline from humanity's natural state.
In "The Man with Forty Crowns," Voltaire turns his attention to economic questions with characteristic wit and insight. This tale reflects the aging philosopher's increasing concern with practical matters of taxation, wealth distribution, and social justice. Through the modest circumstances and observations of his titular character, Voltaire examines the mechanics of economic life and the impact of fiscal policy on ordinary citizens. The work demonstrates his ability to make complex economic theories engaging through personal narrative and sharp social observation.
"The Princess of Babylon" showcases Voltaire's mastery of the oriental tale tradition while subverting its conventions for philosophical purposes. This romantic adventure story weaves together themes of love, political power, and religious tolerance within an exotic framework that allowed the author to comment on European affairs with relative safety from censorship. The work's playful tone masks serious reflections on despotism, fanaticism, and the possibility of enlightened governance.
"The Story of Jenni" represents one of Voltaire's final major philosophical tales, written when he was well into his eighties. This work revisits many of his longtime preoccupations-religious tolerance, the problem of evil, and the relationship between reason and faith-with the perspective of a writer who had spent decades observing human folly and progress. The tale's treatment of religious diversity and its advocacy for rational spirituality over sectarian dogma encapsulate many of the core beliefs that had guided Voltaire's entire career.
The questions Voltaire raises about tolerance, justice, economic fairness, and the proper limits of religious authority remain as pressing today as they were in the eighteenth century. His method of approaching these issues through engaging narrative and memorable characters continues to offer a model for how serious ideas might be communicated without sacrificing either intellectual rigor or popular appeal.
Readers of this volume will encounter Voltaire at his most accomplished-a writer who had perfected his craft and refined his message through decades of observation, controversy, and creative work. These tales stand as testament to the enduring power of literature to illuminate the human condition and advocate for the values of reason, tolerance, and human dignity that remain the best hope for civilized society.
This second volume of Voltaire's collected works presents four masterful tales from the mature phase of his literary career, written during the 1760s and 1770s when the philosopher had achieved both international fame and the hard-won wisdom of age. These works-"The Naive One," "The Man with Forty Crowns," "The Princess of Babylon," and "The Story of Jenni"-showcase Voltaire at his most sophisticated, wielding his considerable narrative powers to address the pressing social, economic, and religious questions of his time with renewed urgency and refined artistry.
"The Naive One" stands as perhaps Voltaire's most penetrating examination of the collision between natural virtue and civilized corruption. Through the eyes of a young Huron Indian encountering French society for the first time, Voltaire constructs a devastating critique of European institutions, religious practices, and social conventions. The protagonist's literal-minded approach to Christianity and French customs reveals the arbitrary nature of many cherished beliefs and the gap between professed ideals and actual practice. This work represents Voltaire's most sustained engagement with the concept of the "noble savage" and the Enlightenment debate over whether civilization represents progress or decline from humanity's natural state.
In "The Man with Forty Crowns," Voltaire turns his attention to economic questions with characteristic wit and insight. This tale reflects the aging philosopher's increasing concern with practical matters of taxation, wealth distribution, and social justice. Through the modest circumstances and observations of his titular character, Voltaire examines the mechanics of economic life and the impact of fiscal policy on ordinary citizens. The work demonstrates his ability to make complex economic theories engaging through personal narrative and sharp social observation.
"The Princess of Babylon" showcases Voltaire's mastery of the oriental tale tradition while subverting its conventions for philosophical purposes. This romantic adventure story weaves together themes of love, political power, and religious tolerance within an exotic framework that allowed the author to comment on European affairs with relative safety from censorship. The work's playful tone masks serious reflections on despotism, fanaticism, and the possibility of enlightened governance.
"The Story of Jenni" represents one of Voltaire's final major philosophical tales, written when he was well into his eighties. This work revisits many of his longtime preoccupations-religious tolerance, the problem of evil, and the relationship between reason and faith-with the perspective of a writer who had spent decades observing human folly and progress. The tale's treatment of religious diversity and its advocacy for rational spirituality over sectarian dogma encapsulate many of the core beliefs that had guided Voltaire's entire career.
The questions Voltaire raises about tolerance, justice, economic fairness, and the proper limits of religious authority remain as pressing today as they were in the eighteenth century. His method of approaching these issues through engaging narrative and memorable characters continues to offer a model for how serious ideas might be communicated without sacrificing either intellectual rigor or popular appeal.
Readers of this volume will encounter Voltaire at his most accomplished-a writer who had perfected his craft and refined his message through decades of observation, controversy, and creative work. These tales stand as testament to the enduring power of literature to illuminate the human condition and advocate for the values of reason, tolerance, and human dignity that remain the best hope for civilized society.
