Cinematic Urban Geographies
| PUBLISHER | Palgrave MacMillan (07/13/2017) |
| PRODUCT TYPE | Hardcover (Hardcover) |
1. Introduction
Part I. Cartographic Cinema: Maps in Films and Maps as Mental Cinema
2. The cinema in the map - the case of Braun and Hogenberg's Civitates Orbis Terrarum
3. Cinematic cartographies of urban space and the descriptive spectacle of aerial views (1898-1948).
4. Charting the Criminal: Maps as devices for orientation and control in Fritz Lang s "M" (1931) and Francesco Rosi s "Hands Over the City" (1963)
Part II. 'Movie Centric' Map of Cities - Map-Reading and Cin-Tourism5. 'Merely local': film and the depiction of place, especially in local documentary
6. The Cine-Tourist's Map of New Wave Paris
7. Set-jetting, Film Pilgrimage and The Third Man.
Part III. Films as Sites of Memories - Lieux De Mmoires
8. The Cinematic Shtetl as a Site of Postmemory
9. "Where Is The Dust That Has Not Been Alive?" Screening The Vanished Polis In Stirbitch: An Imaginary10. Melancholy Urbanism: Distant Horizons and the Presentation of Place
Part IV. Cinematic Topographies within Their Social & Cultural Practices
11. Cinematic urban archaeology - the Battersea case
12. The cinematic and the televisual city: south London revisited
13. Los Angeles and Hollywood in Film and French Theory: Agns Varda's Lions Love (1969) and Edgar Morin's California Journal (1970)Part V. Database Cinema: Visualising the Cinematic Urban Archaeology and Geo-Locating Movies in the City
14. Urban Cinematic Palimpsests: Moving Image Databases for the City
15. Geographies of the Moving Image: Translating cinematic representation into geographic information
16. Ghost Cinema App: Temporal Ubiquity and the Condition of Being in Everytime
1. Introduction
Part I. Cartographic Cinema: Maps in Films and Maps as Mental Cinema
2. The cinema in the map - the case of Braun and Hogenberg's Civitates Orbis Terrarum
3. Cinematic cartographies of urban space and the descriptive spectacle of aerial views (1898-1948).
4. Charting the Criminal: Maps as devices for orientation and control in Fritz Lang s "M" (1931) and Francesco Rosi s "Hands Over the City" (1963)
Part II. 'Movie Centric' Map of Cities - Map-Reading and Cin-Tourism5. 'Merely local': film and the depiction of place, especially in local documentary
6. The Cine-Tourist's Map of New Wave Paris
7. Set-jetting, Film Pilgrimage and The Third Man.
Part III. Films as Sites of Memories - Lieux De Mmoires
8. The Cinematic Shtetl as a Site of Postmemory
9. "Where Is The Dust That Has Not Been Alive?" Screening The Vanished Polis In Stirbitch: An Imaginary10. Melancholy Urbanism: Distant Horizons and the Presentation of Place
Part IV. Cinematic Topographies within Their Social & Cultural Practices
11. Cinematic urban archaeology - the Battersea case
12. The cinematic and the televisual city: south London revisited
13. Los Angeles and Hollywood in Film and French Theory: Agns Varda's Lions Love (1969) and Edgar Morin's California Journal (1970)Part V. Database Cinema: Visualising the Cinematic Urban Archaeology and Geo-Locating Movies in the City
14. Urban Cinematic Palimpsests: Moving Image Databases for the City
15. Geographies of the Moving Image: Translating cinematic representation into geographic information
16. Ghost Cinema App: Temporal Ubiquity and the Condition of Being in Everytime